The speaker in Objects for a Fog Death is not afraid of being unheard, so doesn't need to turn to the reader. The speaker is so unafraid that she even addresses the poem itself....It's as if she is aware of the fourth wall and actually closes herself in it, becoming a part of it, looking for the poem in the liquid "legal pad of words".

Check out Robert Alan Wendeborn's review of Objects for a Fog Death in The Collagist by clicking here! Published by Dzanc, The Collagist is a well-curated magazine with a lot of great work. The review itself is fresh and interesting, and if you haven't read Objects for a Fog Death yet, you'll want to after this review.