Anaïs Duplan is a trans* poet, curator, and artist. He is the author of a full-length poetry collection, Take This Stallion (Brooklyn Arts Press, 2016), and two chapbooks, Mount Carmel and the Blood of Parnassus (Monster House Press, 2017) and 9 Poems/The Lovers (Belladonna*, 2018). He is the founding curator for the Center for Afrofuturist Studies, an artist residency program for artists of color, based in Iowa City. He has worked as an adjunct poetry professor at the University of Iowa, Columbia University, Sarah Lawrence, and St. Joseph's College. He was a 2017-2019 joint Public Programs Fellow at the Museum of Modern Art and the Studio Museum in Harlem.

Praise

Duplan skillfully models radical listening in the relationship he cultivates between the text and its audience, prompting us to reimagine our interactions with artistic tradition and our lives in language.

— Ploughshares

In Duplan’s exquisite (and exquisitely bizarre) vision, survival is effortful; it is massy; it is textural; it is en masse, dependent on group and swarm bodies; it is swarmed with contradiction; yet it is marvelous because it somehow persists.

—Fanzine