Slovenian poet Tomaž Šalamun (1941-2014) is hailed as one of the most prominent poets of his generation, renowned for his impact on the Eastern European avant-garde movement. He authored over forty collections of poetry in Slovenian and English, experimenting with surrealism, polyphony, and absurdism. In this collection, which he was preparing before his recent death, he shows his mastery of sound, of uncomfortable twists of expectations, and reveals alleyways into humanity with sharp, minty lines amidst physical chaos and violence. Šalamun has helped shape an era of poetics with his electric imagination, refusal of boxed-in logic and custom, and sophisticated concision. His voice will linger on for years to come in the influence it has left with artists, writers, and readers. For a career born from a violent world, he has left a beautiful Justice behind.

Michael Thomas Taren lives in Paris. His chapbook eunuchs is out from Ugly Duckling Presse. He is the co-translator (with Purdey Lord Kreiden) of En ménage (Wakefield Press) by Joris-Karl Huysmans and L'Ile Atlantique (Semiotext(e)) by Tony Duvert. 

PRAISE

Hallucinatory, hilarious, disturbing, and politically and socially volatile ... Fans will undoubtedly want to grab this, and those new to Šalamun will find it a relatively diverse and well-rounded introduction to his work.

—Publishers Weekly

His poems will continue to defy categorization, but they will be remembered for the way they walked the tightrope between ecstasy and despair, the rational and the irrational, the sublime and the horrible.

—Paris Review

He is too slippery to be compared to anything . . . His work is elegant and ironic and often surreal and lined with dark laughter but it can also be sharp and forbidding. Nothing is lost on him.

—The Guardian

Šalamun has exerted a great deal of influence on many younger poets . . . . He's a world-class poet. He's easily the best poet of the Balkans, and one of the best of them all..

—Iowa Review